The Universal Teat

If you have not read “Grapes of Wrath” and for some reason plan on doing so, stop reading this. If, on the other hand, you would like to be spared the load but are curious about its classical buzz, read on.

“Grapes of Wrath” is like a fat Oreo: delicious chocolate crunch on each end, white sappy soap mush in the middle. The last paragraph of the book, after four hundred pages of soapy sap, may be the best thing that’s happened to me in book form. In it, Rose of Sharon, once prodigal daughter, later pregnant abandoned wife, nurses a half-starved man. She has milk to give because hours before she gives birth to a stillborn during a devastating flood.

I would say that the image of this wrecked woman, who was probably hot, bringing a doomed man back from the brink of death by the power of her breasts is why the book endures the test of time. Also why they made a movie about it right away.

In all seriousness, I am glad I read it. The first hundred pages are breathtaking. The last fifty are sweepingly cinematic. The ending over-the-top — as was my joy at realizing I’d finally put it to bed.

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